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Tritone Substitution

Tritone substitution is a harmonic technique commonly used in jazz harmony where a dominant seventh chord is replaced by another dominant seventh chord whose root is a tritone away. This substitution works because both chords share the same tritone interval between their third and seventh, creating a smooth voice-leading connection while adding harmonic sophistication to a progression.

For example, in the key of C major, the V7 chord is G7 (G-B-D-F). Its tritone substitute would be D7 (D-F-A-C). Notice that both chords contain the tritone B-F, though they appear as different chord tones in each chord.

The most common application of tritone substitution occurs in ii-V-I progressions, where the V7 chord is replaced by its tritone substitute. In C major, the progression Dm7 - G7 - CMaj7 becomes Dm7 - D7 - CMaj7.

Below is a normal ii-V-I progression in C major:

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Below is the same progression with tritone substitution:

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The effectiveness of tritone substitution lies in its smooth bass line motion. When moving from D7 to C, the bass moves chromatically down by half-step, creating a more sophisticated sound than the traditional perfect fifth leap from G to C.

Tritone substitutions can also be applied to secondary dominants. For instance, in a progression that includes A7 (the V7/ii in C major), this can be substituted with E7, creating richer harmonic movement.

This technique is particularly prevalent in jazz standards and bebop, where it adds harmonic complexity while maintaining functional harmony. The tritone substitute often includes altered extensions like 5, ♯9, or 9 to further enhance its color and tension.

Songs that make effective use of tritone substitution include many jazz standards where sophisticated harmonic movement is desired while maintaining clear tonal function.

For more information on tritone substitution, check out our blog article on the topic: The Ultimate Guide to Tritone Substitutions in Popular Music.

Songs that use tritone substitutions

Click on the following songs to see their chords and melody in the TheoryTab database.

Nemuri No Mori
by Tomita Lab
PPPP PaPiPuPePo
by Emamouse
Don't Let's Start
by They Might Be Giants
Chili con Carne
by The Real Group
Final Destination - Super Smash Bros for Wii U
by Nintendo
Yoshi's Island DS - Flower Garden
by Masayoshi Ishi
Route 228 Night - Pokemon Diamond and Pearl
by Hitomi Sato
Mr Sandman
by The Chordettes
Sherbet Sunset
by Little Simz
Love Like You - Steven Universe Credits Theme
by Aivi Tran and Steven 'surasshu' Velema
Sydney
by Caravan Palace
Corpse Voyage - Be of Good Cheer
by ZUN
Heartaches
by Al Bowlly
Bloody Stream
by Coda
Like Humans Do
by David Byrne
Jump Up Super Star
by Nintendo
The Girl From Ipanema
by Astrud Gilberto and Stan Getz
Museum Of Idiots
by They Might Be Giants
Dream A Little Dream Of Me
by Doris Day
Cannibal
by Tally Hall
Lolita
by Lana Del Rey
Super Mario Odyssey - Main Theme
by Nintendo
Bee Of The Bird Of The Moth
by They Might Be Giants
Etude in C Major Op 10 No 1
by Frederic Chopin
It's Raining Somewhere Else
by Toby Fox
The Ride Of The Mind
by Rodrigo y Gabriela
We'll All Go Together When We Go
by Tom Lehrer
Kass' Theme - Zelda Breath of the Wild
by Nintendo
Like a Queen
by Tomita Lab
Blend-S OP
by Blend A
Super Mario Galaxy - Star Festival
by Nintendo
Just the Two of Us
by Grover Washington Jr and Bill Withers
Blackout
by Muse
Last Words Of A Shooting Star
by Mitski
Superior - Dynasty Warriors 3
by Koei
Shovel Knight - High Above the Land
by Jake Kaufman
Fire Emblem Fates - Road Taken
by Nintendo
Nobody Else Quite Like You
by Rob Cantor
Radio Song
by Esperanza Spalding
Stay Soft
by Mitski
Super Smash Bros Melee - Opening
by Nintendo
At the River
by Groove Armada
Shooting Star
by Lovelyz
Spirited Away Main Theme
by Joe Hisaishi
Beginner's Luck
by King Gizzard And The Lizard Wizard
Rhapsody In Blue
by George Gershwin
Family Guy - Theme Song
by Walter Murphy
That Thing You Do
by The Wonders
Lingus
by Snarky Puppy
Last Night
by Vanessa Hudgens
Aether Paradise - Pokemon Sun and Moon
by Minako Adachi
Black Velvet
by Alannah Myles
Independence Day
by David Byrne
Toxic
by Britney Spears
Into The Great Wide Open
by Tom Petty
Piano Sonata No 8 ''Pathetique'' - 3rd Movement
by Ludwig Van Beethoven
Super Mario 64 - Koopa's Road
by Koji Kondo
Jellyfish
by Koronba
All I Wanna Do
by Sheryl Crow
Sucklet's Song
by Emamouse
The Entertainer
by Scott Joplin
Still Crazy After All These Years
by Paul Simon
Baggy Trousers
by Madness
Have yourself a merry little Christmas
by Michael Buble
Dark Sweet Lady
by George Harrison
The Caves of Altamira
by Steely Dan
Crosstown Traffic
by Jimi Hendrix
SUPER-REFLEX
by Yousuke Yasui
SAIKYOUTICPOLKA
by Hololive
Red Streamer Battle - Paper Mario The Origami King
by Nintendo
A Cold Sweat
by Danny Baranowsky
Love Song
by Yoo Seung-jun
Love's In Need of Love Today
by Stevie Wonder
Persona 3 Portable - A Way of Life
by Shoji Meguro
Burden In My Hand
by Soundgarden
Libertine
by Asako Toki
If I Fell
by The Beatles
Super Mario World Title Theme
by Koji Kondo
Push And Pull
by Twice
Baltimore Oriole
by George Harrison
Super Mario World - Athletic
by Koji Kondo
Bear in the Big Blue House (Theme)
by Playhouse Disney
Ruins
by Toby Fox
All By Myself
by Celine Dion
Drivin'
by Kazumi Totaka
Hot In Herre
by Nelly
Sonic R - Can You Feel The Sunshine
by Sega
Cocaine
by Eric Clapton

Contents

Music Fundamentals

The 7 notes that are the building blocks of a song
The spacing between notes

Functional Harmony

The study of how chords work
Establishing the set of notes and chords used in a song
A powerful framework for understanding how songs work
Numbering notes within a key
Numbering chords within a key

Basic Chord Concepts

Chords naturally found in the key
Different chord sounds and their function
Different ways of playing or arranging the same chord
Ending a musical idea

Melody

A song's rhythmic framework
Understanding melody tension over chords

Advanced Chords

Using a different bass note to change a chord's sound
Adding one more note to the basic chords
Chords that temporarily shift the harmonic center
A chord with built in tension and release
A chord with an added tone that enriches its sound
Using chords from parallel modes for contrast and emotion
Jazz harmonic technique replacing dominant chords with chords a tritone away
Altered (raised or lowered) notes create tension and complexity in chords

Advanced Concepts in Harmony

Two ways to change a song's key
Borrowing chords from another key
New scales and home base chords for a different mood
Using notes within and outside a song's key
Progressions that connect the bass