Back to Music Theory Fundamentals

Altered Chord

Altered chords are a type of chord modification in which one or more scale degrees in a standard chord are raised or lowered by a step. This alters the quality of the chord, often increasing the amount of tension it has, and can be used to add more complexity and color to a chord progression. Alterations are most commonly applied to the fifth or to an extension (such as the ninth or eleventh), and while any chord can be altered, they are most commonly found in V chords and secondary dominants.

For example, a V chord in the key of C major consists of the scale degrees 5, 7, and 2 (G, B, and D). An altered dominant chord might modify the fifth (D) by lowering it to D, creating a V(5), or raising it to D♯, creating a V(♯5). Similarly, extensions like the ninth (A) can be altered by being raised to A♯, creating a V(♯9) chord.

More than one alteration is possible, creating complex chords like V7(♯59). A V7(♯59) chord in C major, for instance, would contain G, B, D♯, and A.

Below is a normal G7:

Below is an altered G7(♯5):

These alterations introduce tension, as the modified chord tones create dissonances that seek resolution. Altered chords are especially common in jazz and blues, as well as in other genres that make use of more complex harmonies.

One common use of altered chords is in cadences from V7 to I, where the raised or lowered tones in the V7 chord resolve smoothly to scale tones in the I chord. For instance, a V7(♯5) in C major (G, B, D♯, F) naturally resolves to I (C, E, G) as the altered fifth (D♯) moves up to E, strengthening the resolution.

The song "You've Got a Friend in Me" from the movie Toy Story by Randy Newman is an example of a song that uses altered dominant chords to add richness and tension to its progressions.

placeholder box

Other songs that use altered chords

Click on the following songs to see their chords and melody in the TheoryTab database.

Dancing In The Moonlight
by King Harvest
I Want You Back
by Nsync
Family Guy - Theme Song
by Walter Murphy
Museum Of Idiots
by They Might Be Giants
American Dad - Theme Song
by Walter Murphy
Bohemian Rhapsody
by Queen
Cascade of the Seven Waterfalls
by Azymuth
Yeul's Theme
by Masashi Hamauzu
Want You Gone
by Jonathan Coulton and Ellen McLain
Everything's not lost
by Coldplay
Reflection
by Disney
Uninvited
by Alanis Morissette
Have yourself a merry little Christmas
by Michael Buble
Oh Darling
by The Beatles
Mas Que Nada
by Sergio Mendes and Brazil '66
Mario Paint - Creative Exercises
by Nintendo
Dark Side
by Kelly Clarkson
Back and Forth
by Haywyre
Can't Take My Eyes Off You
by Franki Valli
Dead Giveaway
by Schmoyoho
I'm Like A Lawyer
by Fall Out Boy
A Day In The Life
by The Beatles
He's Able
by Deitrick Haddon
Oath to Order
by Koji Kondo
Say Say Say
by Paul McCartney - Michael Jackson
Nocturne in Eb
by Frederic Chopin
Ken's Theme
by Capcom
We Intertwined
by The Hush Sound
Here There And Everywhere
by The Beatles
Click Clock Wood
by Grant Kirkhope
Near You Always
by Jewel
Hellfire
by Disney
Lovefool
by The Cardigans
Don't Know Why
by Norah Jones
What a Wonderful World
by Louis Armstrong
Breathe (In The Air)
by Pink Floyd
Wonderful
by The Beach Boys
Bridge over Troubled Water
by Simon and Garfunkel
Stairway to Heaven
by Led Zeppelin
Forget You
by Cee Lo Green
If I Fell
by The Beatles
Badinerie
by Johann Sebastian Bach
The Simpsons Main Title Theme
by Danny Elfman
Don't Talk - Put Your Head On My Shoulder
by The Beach Boys
Peg
by Steely Dan
I Don't Want To Spoil The Party
by The Beatles
Orinico Flow
by Enya
Once Upon A Dream Maleficent
by Disney Lana Del Rey
Toxic
by Britney Spears
The Continuing Story of Bungalow Bill
by The Beatles
Exit Music (For a Film)
by Radiohead
Into The Great Wide Open
by Tom Petty
New
by Paul McCartney
Super Mario Galaxy - Gusty Garden Galaxy
by Nintendo
Mamma Mia
by ABBA
All The Things You Are
by Jerome Kern
Where Your Eyes Don't Go
by They Might Be Giants
Final Toccata
by Michiru Yamane
Piano Sonata No 14 ''Moonlight'' 1st Movement
by Ludwig Van Beethoven
Kirby's Epic Yarn - Big-Bean Vine
by Nintendo
Life On Mars
by David Bowie
If I Could
by 1927
Bad Day
by Daniel Powter
Dance of the Sugar Plum Fairy
by Pyotr Ilyich Tchaikovsky
It Won't Be Long
by The Beatles
Skyfall
by Adele
My Sweet Lord
by George Harrison
Take A Bow
by Madonna
Turn Your Love Around
by George Benson
Born To Be Wild
by Steppenwolf
Space Dementia
by Muse
Smoke Gets In Your Eyes
by Jerome Kern
Yoshi's Island - Flower Garden
by Nintendo
All I Want For Christmas Is You
by Mariah Carey
Soviet National Anthem
by Alexander Alexandrov
**** You
by Lily Allen
My Way
by Frank Sinatra
Superstition
by Stevie Wonder
Symphony no 40 in G minor - I
by Wolfgang Amadeus Mozart
This Love
by Maroon 5
Michelle
by The Beatles
I Am the Walrus
by The Beatles
Mr Sandman
by The Chordettes

Contents

Music Fundamentals

The 7 notes that are the building blocks of a song
The spacing between notes

Functional Harmony

The study of how chords work
Establishing the set of notes and chords used in a song
A powerful framework for understanding how songs work
Numbering notes within a key
Numbering chords within a key

Basic Chord Concepts

Chords naturally found in the key
Different chord sounds and their function
Different ways of playing or arranging the same chord
Ending a musical idea

Melody

A song's rhythmic framework
Understanding melody tension over chords

Advanced Chords

Using a different bass note to change a chord's sound
Adding one more note to the basic chords
Chords that temporarily shift the harmonic center
A chord with built in tension and release
A chord with an added tone that enriches its sound
Using chords from parallel modes for contrast and emotion
Jazz harmonic technique replacing dominant chords with chords a tritone away
Altered (raised or lowered) notes create tension and complexity in chords

Advanced Concepts in Harmony

Two ways to change a song's key
Borrowing chords from another key
New scales and home base chords for a different mood
Using notes within and outside a song's key
Progressions that connect the bass